He also created effects of soulful yearnings, joyful abandon or pathos as required. The sounds he created with his arrangements were mostly ‘sweet’ and pleasant, soothing. He brought concepts of western symphonies, combined them with folksy touches and Indian instruments in a manner that was never attempted in the history of Indian cinema. With this single song, Ilayaraja established a milestone as a composer who not only composed beautiful melodies, but also created stunning effects for the listeners with his orchestration. The song Sindhura Puvve by S Janaki was a chartbuster.
#ILAYARAJA HITS MOVIE#
Later, Ilayaraja created a milestone with the movie Pathinaru Vayathinile (Padaharella Vayasu in Telugu). This film featured melodius compositions based on folk songs that had orchestration and vocals that were trendsetting. Ilayaraja made a grand entry as a Music director with the film Annakili. Listen to this delightful orchestration from Cheeni Kum here (click below) to get a preview of Ilayaraja’s genius in orchestration.
Also, the lovely saxophone theme music in Amitabh’s Cheeni Kumis by Ilayaraja. Did you know that two of Hindi film music’s popular songs are based on Ilayaraja’s original compositions? ( Dhak Dhak Karne Laga – superhit from Beta is based on Abba Nee Teeyani from Jagadeka Veerudu Athiloka Sundari and the popular Kishore number Neele Neele Ambar par from Kalakar with its wonderful guitar piece is based on Ilaya Nila from Payanangal Mudivathillai). On the other hand, if you are a fan of film music in other Indian languages, I would strongly urge you to listen to the songs here and experience the orchestration for yourself. (However, I am sure they would love to listen to their evergreen favourites over and over again).
Ilayaraja has countless fans in South India and all over the world, so this post may not be a surprise for them. If you have not heard of Ilayaraja or know very little of his music, get prepared for a pleasant revelation and a wonderful experience.
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